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	<title>Steve MacKley design &#187; Typophile</title>
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	<link>http://stevemackley.com</link>
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		<title>Typophile: Highsmith on Glyph Space</title>
		<link>http://stevemackley.com/2010/02/typophile-highsmith-on-glyph-space/</link>
		<comments>http://stevemackley.com/2010/02/typophile-highsmith-on-glyph-space/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 18:51:16 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[cyrus highsmith]]></category>
		<category><![CDATA[font bureau]]></category>
		<category><![CDATA[Typophile]]></category>

		<guid isPermaLink="false">http://stevemackley.com/?p=1105</guid>
		<description><![CDATA[In the typophile forums their is a livlely debate about Cyrus Highsmith&#8217;s Glyph Space blog entry for Font Bureau. I think the deabte about attachment of spacing to glyphs as ...]]></description>
			<content:encoded><![CDATA[<p>In the <a href="http://typophile.com/" target="_blank">typophile</a> forums their is a livlely debate about Cyrus Highsmith&#8217;s <a href="http://type101.fontbureau.com/archives/645" target="_blank">Glyph Space</a> blog entry for <a href="http://www.fontbureau.com/">Font Bureau</a>.</p>
<p>I think the deabte about attachment of spacing to glyphs as a distinctions between typography and writing is interesting. Faces like <a href="http://new.myfonts.com/fonts/fontfont/ff-legato/" target="_blank">legato</a> by <a href="http://new.myfonts.com/person/Evert_Bloemsma/">Evert Bloemsma</a> have tried to address reworking the stroke/ counter relationship.  Given this discussion over at typhophile is quite compelling: <a href="http://new.myfonts.com/fonts/fontfont/ff-legato/">http://typophile.com/node/66574</a></p>
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		<title>MS white paper on the TrueType interpreter</title>
		<link>http://stevemackley.com/2009/10/ms-white-paper-on-the-truetype-interpreter/</link>
		<comments>http://stevemackley.com/2009/10/ms-white-paper-on-the-truetype-interpreter/#comments</comments>
		<pubDate>Mon, 26 Oct 2009 07:38:59 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Microsoft]]></category>
		<category><![CDATA[Opentype]]></category>
		<category><![CDATA[Typophile]]></category>

		<guid isPermaLink="false">http://stevemackley.com/?p=707</guid>
		<description><![CDATA[Somewhat old news now but a new white paper has been posted to the Microsoft Typography website. The paper was written by Greg Hitchcock and is about the Microsoft implementation ...]]></description>
			<content:encoded><![CDATA[<p>Somewhat old news now but a new white paper has been posted to the Microsoft Typography website. The paper was written by Greg Hitchcock and is about the Microsoft implementation of the TrueType interpreter.  As I read it (and very slowly at that), this is helpful for those interested in ensuring  that  you older TT fonts will be optimal when utilizing Cleartype. (I&#8217;ve probable just butchered the whole white paper).  Accorindingly this is form MS themselves&#8230;</p>
<blockquote><p>With the implementation of ClearType® in Windows XP and later versions, adjustments were needed for the interpretation of some TrueType® instructions in order to allow existing fonts to work with no updates. This white paper is targeted for font designers and describes the instruction changes and how fonts can continue to have their instructions behave as described in the current OpenType® specification.</p>
<p>Note that this white paper is not part of the OpenType specification, and will not be submitted for inclusion in the ISO Open Font Format. It is provided solely to explain how Windows handles hinted fonts under ClearType rendering.</p>
<p>The paper can be found here:<br />
<a href="A new white paper has been posted to the Microsoft Typography website. The paper was written by Greg Hitchcock to help font designers understand the Microsoft implementation of the TrueType interpreter.  Here’s Greg’s official summary: With the implementation of ClearType® in Windows XP and later versions, adjustments were needed for the interpretation of some TrueType® instructions in order to allow existing fonts to work with no updates. This white paper is targeted for font designers and describes the instruction changes and how fonts can continue to have their instructions behave as described in the current OpenType® specification.  Note that this white paper is not part of the OpenType specification, and will not be submitted for inclusion in the ISO Open Font Format. It is provided solely to explain how Windows handles hinted fonts under ClearType rendering.  The paper can be found here: http://www.microsoft.com/typography/cleartype/truetypecleartype.aspx"> http://www.microsoft.com/typography/cleartype/truetypecleartype.aspx</a></p></blockquote>
<p>As interseting as the white paper was, the ensuing discussion on the Typophile forums was even more interesting.</p>
<p><a href="http://typophile.com/node/62675">http://typophile.com/node/62675</a></p>
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