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Silverback-Bolder weight coming along

Work on the Heavy/ Extra Bold weight of Silverback  is progressing nicely (if not frantically).  First pass at the Glyphs is done, with a ton of tweaks ahead.  No spacing or kerning  is really done yet, but that will come in time.  This weight along with the regular will be used to interpolate the rest of the family.  I am also curious to try Tim Ahren’s Font ReMix Tools to develop the condensed and expanded weights. Hopefully I can get far enough along to make the submission deadline for FontFont’s spring meeting.

Silverback Bold

New Font Sketches

Here are some of the various sketches for the new font. The idea is for a humanist that isn’t as neutral as Univers or Frutiger; but not as expressive/quirky as Meta and Syntax.

Numbers & Puncuation

Numbers & Puncuation

 

lowercase g and s

lowercase g and s

Stephen is a thoughtful, precise designer, flawless in his craftsmanship and expansive in his conceptual thinking. He's a well-read guy, with a surprising career history and love of learning. It all informs his work. Stephen is equally at home and gladly challenged by an assignment in type design as he is with corporate identity work, interactive, or poster design. He's a consummate talent, and an artful asset to any design initiative

Michael Rivera
executive creative director
...the most solid typographic understanding, an incredibly mature craft, and an enlightened pursuit of excellence. Stephen shows real skills and obvious discipline

Rick Valicenti
founder: Thirst/Chicago
...has a great eye and is well read about all aspects of design. Due to this extensive knowledge and talent, his work shows a meticulous attention to detail...

Marko Masnjak
designer at JAK design
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