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	<title>Steve MacKley design &#187; H&amp;FJ</title>
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		<title>H&amp;FJ-Typography Delivered Fresh</title>
		<link>http://stevemackley.com/2010/02/hfj-typography-delivered-fresh/</link>
		<comments>http://stevemackley.com/2010/02/hfj-typography-delivered-fresh/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 16:37:41 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[H&FJ]]></category>

		<guid isPermaLink="false">http://stevemackley.com/?p=1079</guid>
		<description><![CDATA[Hoefler &#38; Frere-Jones has posted links to all of its old email circulars.  Topics covered include — how to choose fonts for information-heavy projects like annual reports being an especially hot ...]]></description>
			<content:encoded><![CDATA[<p>Hoefler &amp; Frere-Jones has posted links to all of its old <a href="http://www.typography.com/ask/showBlog.php?blogID=236" target="_blank">email circulars</a>.  Topics covered include — <a href="http://www.typography.com/email/2009_07/index_bi.htm" target="_blank">how to choose fonts</a> for information-heavy projects like annual reports being an especially hot topic; though he also encourages his students to dig deeply in the <a href="http://www.typography.com/email/2009_12/index_bi.htm" target="_blank">character sets</a> of their fonts; and to <a href="http://www.typography.com/email/2009_11/index_bi.htm" target="_blank">look for value</a> when building their own font libraries.</p>
<p><a rel="attachment wp-att-1080" href="http://stevemackley.com/2010/02/hfj-typography-delivered-fresh/hfj_emails1/" target="_blank"><img class="alignnone size-medium wp-image-1080" title="hfj_emails1" src="http://stevemackley.com/wp-content/uploads/2010/02/hfj_emails1-410x200.jpg" alt="hoefler and frere-jones emails" width="410" height="200" /></a></p>
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		<title>Fonts on the web</title>
		<link>http://stevemackley.com/2009/10/fonts-on-the-web/</link>
		<comments>http://stevemackley.com/2009/10/fonts-on-the-web/#comments</comments>
		<pubDate>Sat, 24 Oct 2009 19:07:52 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[.webfont]]></category>
		<category><![CDATA[H&FJ]]></category>
		<category><![CDATA[Noteworthy]]></category>

		<guid isPermaLink="false">http://stevemackley.com/?p=718</guid>
		<description><![CDATA[There has been a lot of buzz lately about webfonts.  The new WOFF proposal is a step in the right direction, but getting your head around things is like herding ...]]></description>
			<content:encoded><![CDATA[<p>There has been a lot of buzz lately about webfonts.  The new WOFF proposal is a step in the right direction, but getting your head around things is like herding cats.  Thankfully  Technology Review has published a nice article summarizing things. <a href="http://www.technologyreview.com/web/23502/" target="_blank">A Note on the Type: Font designers imagine a better-looking Web</a>. If this article is too much I recommend H&amp;FJ&#8217;s recent Show and Tell entry: <a href="http://www.houseind.com/showandtell/2009/10/20/FontsontheWeb" target="_blank">FONTS ON THE WEB</a>. It is distilled goodness.</p>
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		<title>Tungsten: H&amp;FJ&#8217;s newest font family</title>
		<link>http://stevemackley.com/2009/09/tungsten-hfjs-newest-font-family/</link>
		<comments>http://stevemackley.com/2009/09/tungsten-hfjs-newest-font-family/#comments</comments>
		<pubDate>Wed, 16 Sep 2009 15:35:46 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Font Release]]></category>
		<category><![CDATA[H&FJ]]></category>

		<guid isPermaLink="false">http://stevemackley.com/?p=696</guid>
		<description><![CDATA[Hoefler &#38; Frere-Jones have just announced the availability of their newest font family: Tungsten.  Tungsten (I love that name) is a flat/square-sided sans.  To me it is evocative of the ...]]></description>
			<content:encoded><![CDATA[<p>Hoefler &amp; Frere-Jones have just announced the availability of their newest font family: <a href="http://www.typography.com/fonts/font_overview.php?productLineID=100035" target="_blank">Tungsten</a>.  Tungsten (I love that name) is a flat/square-sided sans.  To me it is evocative of the sign paintings seen at the local butcher/grocer growing up in central Pennsylvania.  It is available in 4 weights: Med, Semi, Bold, and Black.  I wold also be remiss is I didn&#8217;t mention the support for what  H&amp;FJ calls  its <em>Latin-X</em>® character set.  What is Latin-X?  It is an H&amp;FJ OpenType font whose character set covers more than 100 languages throughout the world — including all of Central Europe.  A nice trend that I intend to emulate in my own type design efforts.</p>
<p>H&amp;FJ describe Tungsten as such: (via their <a href="OpenType editions of Tungsten contain H&amp;FJ’s Latin-X® character set, covering more than 100 languages throughout the world — including all of Central Europe. " target="_blank">blog</a>)</p>
<blockquote>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 9px; margin-left: 0px; font-family: 'Lucida Grande', 'Lucida Sans', Verdana, Georgia, Helvetica, Arial; font-size: 11px; line-height: 15px; padding: 0px;">A few years ago, we started wondering if there was a way to make a flat-sided sans serif that was disarming instead of brutish, one that employed confidence and subtlety instead of just raw testosterone. It was an unusual design brief for ourselves, completely without visual cues and trading in cultural associations instead: “more Steve McQueen than Steven Seagal,” reads one note; “whiskey highball, not a martini” suggests another.</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 9px; margin-left: 0px; font-family: 'Lucida Grande', 'Lucida Sans', Verdana, Georgia, Helvetica, Arial; font-size: 11px; line-height: 15px; padding: 0px;">The result is <strong>Tungsten®</strong>, a tight family of high-impact fonts in four weights: muscular and persuasive, without sacrificing wit, versatility, or style. Now starting at <strong>$99.</strong></p>
</blockquote>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 9px; margin-left: 0px; font-family: 'Lucida Grande', 'Lucida Sans', Verdana, Georgia, Helvetica, Arial; font-size: 11px; line-height: 15px; padding: 0px;"><strong><br />
</strong></p>
<p><img class="alignnone" title="Tungsten" src="http://www.typography.com/images/blogImages/tungsten-collage.png" alt="" width="484" height="581" /></p>
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		<title>H&amp;FJ: Fonts for annual reports</title>
		<link>http://stevemackley.com/2009/07/fonts-for-annual-reports/</link>
		<comments>http://stevemackley.com/2009/07/fonts-for-annual-reports/#comments</comments>
		<pubDate>Tue, 21 Jul 2009 13:23:35 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Annual Reports]]></category>
		<category><![CDATA[H&FJ]]></category>

		<guid isPermaLink="false">http://stevemackley.com/?p=596</guid>
		<description><![CDATA[Always a fan of H&#38;FJ, they recently emailed a great primer on the  features for their various fonts as it relates to financial and annual reports. They highlight tablular figures, ...]]></description>
			<content:encoded><![CDATA[<p>Always a fan of H&amp;FJ, they recently emailed a great primer on the  features for their various fonts as it relates to financial and annual reports.</p>
<div class="wp-caption alignnone" style="width: 382px"><img title="H&amp;FJ Tabular Figs" src="http://typography.com/email/2009_07/slide_tabFigs-d.jpg" alt="" width="372" height="138" /><p class="wp-caption-text">H&amp;FJ Tabular Figs</p></div>
<p>They highlight tablular figures, indices (numbers in circles), graded fonts, and extended character sets.  The full e-Blast can be seen <a href="http://typography.com/email/2009_07/twitter.htm" target="_blank">here</a>.</p>
]]></content:encoded>
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		<item>
		<title>.webfont Gaining Traction</title>
		<link>http://stevemackley.com/2009/07/webfont-gaining-traction/</link>
		<comments>http://stevemackley.com/2009/07/webfont-gaining-traction/#comments</comments>
		<pubDate>Fri, 17 Jul 2009 15:35:34 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[.webfont]]></category>
		<category><![CDATA[font design]]></category>
		<category><![CDATA[H&FJ]]></category>

		<guid isPermaLink="false">http://stevemackley.com/?p=576</guid>
		<description><![CDATA[If you have not been following the recent .webfont proposal by Tal Leming and Erik van Blokland check it out.  The proposal is rational and workable.  Quite a few foundries ...]]></description>
			<content:encoded><![CDATA[<p>If you have not been following the recent .<a href="http://lists.w3.org/Archives/Public/www-font/2009JulSep/0440.html">webfont proposal</a> by Tal Leming and Erik van Blokland check it out.  The proposal is rational and workable.  Quite a few foundries have voice their support including (these were gleaned from the H&amp;FJ twitter feed)</p>
<ul>
<li> H&amp;FJ</li>
<li> Klim</li>
<li> Process Type Foundry</li>
<li> Fonthead</li>
<li>Mark Simonson Studio</li>
<li> Porchez Typofonderie</li>
<li> House Industries</li>
<li> Stone Type Foundry</li>
<li> Emigre</li>
<li> Feliciano Type Foundry</li>
<li> Typotheque</li>
<li> Letterror</li>
<li> FontShop</li>
<li> Type Supply</li>
<li> Village</li>
<li> Typotheque</li>
</ul>
<p>Typotheque has an excellent expalnation and demo <a href="http://www.typotheque.com/news/web_font_service_preview">here</a>.</p>
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