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H&FJ-Typography Delivered Fresh

Hoefler & Frere-Jones has posted links to all of its old email circulars.  Topics covered include — how to choose fonts for information-heavy projects like annual reports being an especially hot topic; though he also encourages his students to dig deeply in the character sets of their fonts; and to look for value when building their own font libraries.

hoefler and frere-jones emails

Fonts on the web

There has been a lot of buzz lately about webfonts.  The new WOFF proposal is a step in the right direction, but getting your head around things is like herding cats.  Thankfully  Technology Review has published a nice article summarizing things. A Note on the Type: Font designers imagine a better-looking Web. If this article is too much I recommend H&FJ’s recent Show and Tell entry: FONTS ON THE WEB. It is distilled goodness.

Tungsten: H&FJ’s newest font family

Hoefler & Frere-Jones have just announced the availability of their newest font family: Tungsten.  Tungsten (I love that name) is a flat/square-sided sans.  To me it is evocative of the sign paintings seen at the local butcher/grocer growing up in central Pennsylvania.  It is available in 4 weights: Med, Semi, Bold, and Black.  I wold also be remiss is I didn’t mention the support for what H&FJ calls its Latin-X® character set.  What is Latin-X?  It is an H&FJ OpenType font whose character set covers more than 100 languages throughout the world — including all of Central Europe.  A nice trend that I intend to emulate in my own type design efforts.

H&FJ describe Tungsten as such: (via their blog)

A few years ago, we started wondering if there was a way to make a flat-sided sans serif that was disarming instead of brutish, one that employed confidence and subtlety instead of just raw testosterone. It was an unusual design brief for ourselves, completely without visual cues and trading in cultural associations instead: “more Steve McQueen than Steven Seagal,” reads one note; “whiskey highball, not a martini” suggests another.

The result is Tungsten®, a tight family of high-impact fonts in four weights: muscular and persuasive, without sacrificing wit, versatility, or style. Now starting at $99.


H&FJ: Fonts for annual reports

Always a fan of H&FJ, they recently emailed a great primer on the  features for their various fonts as it relates to financial and annual reports.

H&FJ Tabular Figs

They highlight tablular figures, indices (numbers in circles), graded fonts, and extended character sets. The full e-Blast can be seen here.

.webfont Gaining Traction

If you have not been following the recent .webfont proposal by Tal Leming and Erik van Blokland check it out.  The proposal is rational and workable.  Quite a few foundries have voice their support including (these were gleaned from the H&FJ twitter feed)

  • H&FJ
  • Klim
  • Process Type Foundry
  • Fonthead
  • Mark Simonson Studio
  • Porchez Typofonderie
  • House Industries
  • Stone Type Foundry
  • Emigre
  • Feliciano Type Foundry
  • Typotheque
  • Letterror
  • FontShop
  • Type Supply
  • Village
  • Typotheque

Typotheque has an excellent expalnation and demo here.

...has a great eye and is well read about all aspects of design. Due to this extensive knowledge and talent, his work shows a meticulous attention to detail...

Marko Masnjak
designer at JAK design
...the most solid typographic understanding, an incredibly mature craft, and an enlightened pursuit of excellence. Stephen shows real skills and obvious discipline

Rick Valicenti
founder: Thirst/Chicago
Stephen is a thoughtful, precise designer, flawless in his craftsmanship and expansive in his conceptual thinking. He's a well-read guy, with a surprising career history and love of learning. It all informs his work. Stephen is equally at home and gladly challenged by an assignment in type design as he is with corporate identity work, interactive, or poster design. He's a consummate talent, and an artful asset to any design initiative

Michael Rivera
executive creative director
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