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	<title>Steve MacKley design &#187; Christian Schwartz</title>
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		<title>Guardian Font Collection Now Available</title>
		<link>http://stevemackley.com/2010/02/guardian-font-collection/</link>
		<comments>http://stevemackley.com/2010/02/guardian-font-collection/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 15:23:36 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Christian Schwartz]]></category>
		<category><![CDATA[Commercial Type]]></category>
		<category><![CDATA[Font Release]]></category>
		<category><![CDATA[Paul Barnes]]></category>

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		<description><![CDATA[The Guardian Collection by Paul Barnes &#38;amb Christian Schwartz is now available from Commerical Type. What is the Guardian Collection: A large family intended for editorial design and situations requiring complex ...]]></description>
			<content:encoded><![CDATA[<p>The Guardian Collection by Paul Barnes &amp;amb Christian Schwartz is now available from <a href="http://commercialtype.com/typefaces/guardian" target="_blank">Commerical Type</a>.</p>
<p>What is the Guardian Collection:</p>
<blockquote><p>A large family intended for editorial design and situations requiring complex typographic hierarchy, Guardian was designed for Mark Porter’s groundbreaking 2005 redesign of <em>The Guardian</em>. As a text face it exhibits a rational and clear disposition, lending a serious air to the text, while the display components capture a wide range of moods with their comprehensive range of weights.</p>
<p>Currently made up of 4 related families – a Headline size in both Sans and Egyptian; a Text size in Egyptian; and an Agate Sans – this superfamily was designed to fulfi ll every possible typographic need throughout the daily paper: serious news headlines, expressive features, readable text, tiny financial listings, information graphics, and everything in between.</p></blockquote>
<p>Now at $1200 for the entire collection, this is clearly intended for a larger institutional buyer.  Yet without the Agate San, you have a very robust and more affordable superfamily  that is easy to recommend to a client. Plus I am always taken in by well executed slabs/egyptians.  In particular, I am enthralled by the alternate R in <a href="http://commercialtype.com/typefaces/guardian/egyptian_text">Guardian Egyptian Text</a>.</p>
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		<title>The Creation of FF Unit Slab</title>
		<link>http://stevemackley.com/2009/08/the-creation-of-ff-unit-slab/</link>
		<comments>http://stevemackley.com/2009/08/the-creation-of-ff-unit-slab/#comments</comments>
		<pubDate>Tue, 18 Aug 2009 13:47:46 +0000</pubDate>
		<dc:creator>Steve MacKley</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Christian Schwartz]]></category>
		<category><![CDATA[Erik Spiekermann]]></category>
		<category><![CDATA[Font Release]]></category>
		<category><![CDATA[FontFont]]></category>
		<category><![CDATA[FontShop]]></category>
		<category><![CDATA[Kris Sowersby]]></category>

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		<description><![CDATA[FontShop has just posted a story on the FontFeed about the creation of FF Unit Slab.  For  those interested in gaining insights into developing font super-families it is a great ...]]></description>
			<content:encoded><![CDATA[<p>FontShop has just posted a <a href="http://fontfeed.com/archives/ff49-the-creation-of-ff-unit-slab/" target="_blank">story</a> on the FontFeed about the creation of FF Unit Slab.  For  those interested in gaining insights into developing font super-families it is a great read.  Plus, it highlights the work of some of most respected contemporary type-designers—namely Erik Spiek­ermann and Christian Schwartz with Kris Sowersby.</p>
<p><a href="http://fontfeed.com/archives/ff49-the-creation-of-ff-unit-slab/"><img class="alignnone" title="FF_Unit" src="http://fontfeed.com/wp-content/uploads/2009/08/ff_unit_slab_pro_header2.png" alt="" width="400" height="200" /></a></p>
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