Archive for September, 2009

Tungsten: H&FJ’s newest font family

Hoefler & Frere-Jones have just announced the availability of their newest font family: Tungsten.  Tungsten (I love that name) is a flat/square-sided sans.  To me it is evocative of the sign paintings seen at the local butcher/grocer growing up in central Pennsylvania.  It is available in 4 weights: Med, Semi, Bold, and Black.  I wold also be remiss is I didn’t mention the support for what H&FJ calls its Latin-X® character set.  What is Latin-X?  It is an H&FJ OpenType font whose character set covers more than 100 languages throughout the world — including all of Central Europe.  A nice trend that I intend to emulate in my own type design efforts.

H&FJ describe Tungsten as such: (via their blog)

A few years ago, we started wondering if there was a way to make a flat-sided sans serif that was disarming instead of brutish, one that employed confidence and subtlety instead of just raw testosterone. It was an unusual design brief for ourselves, completely without visual cues and trading in cultural associations instead: “more Steve McQueen than Steven Seagal,” reads one note; “whiskey highball, not a martini” suggests another.

The result is Tungsten®, a tight family of high-impact fonts in four weights: muscular and persuasive, without sacrificing wit, versatility, or style. Now starting at $99.


Fontlab .VFB-QuickLook Plugin

This is a shameless plug but, this is one of those little invaluable tools I use regularly.  The VFB-QuickLook Plugin by Georg at schriftgestaltung.de

When I am designing a typeface, I will often branch-off in seemingly random directions. These branches often produce viable avenues and get incorporated in the the main “trunk”, yet each branch is often saved as it own file.  With this handy plugin I can easily, and visually, track these branches without wandering “did I save that new eszett in ‘filename_1a.vfb’ or ‘filename_2d.vfb’?”  This little plugin simply eases the file management portion of my workflow.

Also note the progression on his Glyphs drawing app.  I’m not a beta tester for it, but it does look sweet.

Embedded Love: FontShop and its new-ish EULA

Got this via a FontFeed update, but thought it was worth passing along.   In April, (does that really make this new?) FontShop introduced a new End User Licence Agreement—EULA. I know, no-one ever reads that thing and frankly who cares?  Well, anyone who purchases typefaces should.  Particularly given how reasonable the newly introduced EULA is.  In short,

The most relevant change is that FontFont now allows embedding in any non-?editable document, application, and even device – be it for “commercial” or “non-?commercial” use –, as long as the font is embedded as a subset in a secure format, so that only viewing and printing but not editing is possible.

As a graphic designer, I appreciate this since it gives me the ability legally to embed these fonts into PDF and other MS office docs.  Was this happening before?  You bet.  But now we have a reasonable and legal means of doing so.  As a type designer, I can only hope this could expand exposure and use of any faces I design.

I reccomend reviewing the new EULA highlights and the discussion that follows  via the FontFeed.

Semilla by Sudtipos

Wow, I go on one small Seattle vacation and return to a bevy of typographic bliss.  Firstly, Semilla. I mentioned Sudtipos before. Quite frankly this Argentinean foundry have the finest collection of script faces around. Semilla continues this tradition.

As a designer enamored with the mid-century, I envision this a yet another tool in the arsenal to replace the “brush script hell” that many clients try to foist.  Semilla is upbeat, approachable, and optimistic.  I am fond of the upbeat feel of the typeface overall.  Also with Opentype Script faces a key design choice is including discretionary  ligatures.  Semilla has plenty. Check out the fl and fi swashes.

Semilla is available via Veer.